With Thanks and Praise: Music for the Feast of Christ the King, November 21st 7:30PM
Thursday, November 5th, 2009Janeanne Houston, Soprano, with Organist Sheila Bristow
Janeanne is a wonderful artist who performs in opera and oratorio throughout the Northwest. Her repertoire will include Bach’s Cantata 84, English songs by Finzi and Holst, and a fiery aria from Mozart’s Davidde Penetente. Come celebrate the close of the church year, and invite your friends to experience the arts at Redeemer! Free-will donation to support the music program.
About Janeanne Houston:
American soprano Janeanne Houston is a versatile performer, and one of the Northwest region’s busiest artists. Her extensive repertoire spans the Baroque era to the present. She has worked under the batons of many fine conductors including Gerard Schwarz, JamesDePreist, Sidney Harth, Dean Williamson, Richard Sparks, Christophe Chagnard, and Miguel Harth-Bedoya. Concert works that she has performed many times include Carmina Burana, Messiah, Requiems of Brahms, Verdi, and Mozart, and Mozart’s Mass in C Minor. Also at home on the opera stage, she has sung the roles of Konstanze in Die Entführung aus dem Serail, Susanna and the Countessa Almaviva in Le Nozze di Figaro, Violetta in La Traviata, Blanche in Dialogues of the Carmelites and Micaela in Carmen.
She has recorded many of North Carolina composer Dan Locklair’s songs and vocal works, and in the fall of 2006 she recorded a work titled Lairs of Soundings with the Slovak Radio Orchestra under Kirk Trevor for the Naxos label. A recording of world premieres by living composers titled The Shining Place was also released in 2006, and scheduled for 2009, a Zimbel Records release titled Songs of the Cotton Grass featuring music of Welsh composer Hilary Tann. Ms. Houston gave the East Coast premiere of that cycle on a New York State recital tour in October of 2006. Also that October, she soloed in the premiere of Judith Lang Zaimont’s Remembrance with Portland Symphonic Choir. Other recordings include So Great a Joy (2001), Living Mysteries (2002), The Chamber Music of Dan Locklair (Albany 2004), and So Much Beauty (2004).
The Seattle Times has called her singing “radiant-voiced” and Gramophone, “unfailingly responsive and dedicated.” The Journal of Singing raves “a flawless sense of style.” Performances this year have included the role of the Contessa Almaviva in Le Nozze di Figaro with Helena Symphony, Brahms’ A German Requiem with Bremerton Symphony, Bach’s Passion According to St. Matthew with Peninsula Singers and the Port Angeles Symphony, and a return engagement to the Messiah Festival of Music and Art in Kansas. In the spring of 2010, she will sing the role of Queen Elisabetta in Verdi’s Don Carlo.
She is the managing and founding member of Northwest Artists and the recording label Elmgrove Productions, and she has been a member of the voice faculty at Pacific Lutheran University since 1989
















